boss katana 50 mkii pedal Boss KATANA-50 MkII Guitar Amp, 50WAlamo Music CenterBossGuitar Amplifiers
SKU: 42370098279
boss katana 50 mkii pedal

boss katana 50 mkii pedal Boss KATANA-50 MkII Guitar Amp, 50WAlamo Music CenterBossGuitar Amplifiers

$24.25 $26.95
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Ships within 48 hours · Estimated delivery Jun 30 - Jul 5

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Description

boss katana 50 mkii pedal Boss KATANA-50 MkII Guitar Amp, 50WAlamo Music CenterBossGuitar AmplifiersKatana 50 watt guitar amp Stage ready 50 watt combo amp with a custom 12 inch speaker Tube Logic design approach produces class defying power, authoritative punch, and cutting presence Five unique amp characters (Clean, Crunch, Lead, Brown, and Acoustic), plus newly voiced variations for each Five independent effects sections (Booster, Mod, FX, Delay, and Reverb), with three selectable variations in each Dedicated Pedal FX for foot controlled wah and

Katana 50 watt guitar amp

• Stage-ready 50-watt combo amp with a custom 12-inch speaker
• Tube Logic design approach produces class-defying power, authoritative punch, and cutting presence
• Five unique amp characters (Clean, Crunch, Lead, Brown, and Acoustic), plus newly voiced variations for each
• Five independent effects sections (Booster, Mod, FX, Delay, and Reverb), with three selectable variations in each
• Dedicated Pedal FX for foot-controlled wah and pedal bend
• Updated BOSS Tone Studio software for customizing your sound with over 60 different BOSS effects, channel and global EQs, adjustable routing, and much more
• Power Amp In for preamps, modelers, and multi-effects
• Four Tone Setting memories for storing and recalling all amp and effect settings
• Power Control for achieving cranked-amp tone and response at low volumes
• Three Cab Resonance options (Vintage, Modern, and Deep), selectable in BOSS Tone Studio
• Mic'd cabinet emulation on the USB and phones/recording outputs, with three Air Feel settings available in BOSS Tone Studio
• Rear-panel connections for up to two footswitches or an expression pedal

SPECIFICATIONS:

Rated Power Output: 50 W

Nominal Input Level:
INPUT: -10 dBu (1 M ohm)
AUX IN: -10 dBu (20 k ohms)

Speaker: 30 cm (12 inches) x 1

Controls:
POWER switch
MASTER knob
POWER CONTROL switch (STANDBY, 0.5 W, 25 W, 50 W)

[AMPLIFIER]
VARIATION button
AMP TYPE switch (ACOUSTIC, CLEAN, CRUNCH, LEAD, BROWN)
GAIN knob
VOLUME knob

[EQUALIZER]
BASS knob
MIDDLE knob
TREBLE knob

[MULTI EFFECT]
BOOSTER button
MOD button
FX button
DELAY button
REVERB button
TAP button
BOOSTER knob
MOD knob
FX knob
DELAY knob
REVERB knob

[TONE SETTING]
CH1 button
CH2 button
PANEL buttonIndicatorsVARIATION
BOOSTER
MOD
FX
DELAY
REVERB
TAP
CH1
CH2
PANEL

Connectors:
INPUT jack: 1/4-inch phone type
POWER AMP IN jack: 1/4-inch phone type
REC OUT/PHONES jack: Stereo 1/4-inch phone type
EXP PEDAL/CTL CH1/CH2 jack: 1/4-inch TRS phone type
AUX IN jack: Stereo miniature phone type
USB port: USB B type
AC IN jack

Power Consumption: 47 W

Accessories:
Owner's manual
Power cord

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 42370098279

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Misty Rose
West Palm Beach, US
★★★★★ 5
FYI These are worth it!
Color: Caviar PDRN, Color: Caviar PDRN
These eye patches are really nice and worth it. I use them mainly on the weekends (when I don’t wear makeup). I wash my face and apply them under my eyes (I have also used them on my neck , forehead, corners of mouth, and between the brows for extra moisture) I leave them on about 30 minutes or more, peel them off, pat in the left over product; and my under-eye area looks a lot brighter and awake! I then apply and complete the rest of my skincare routine. (Under eye serum, face serum, and moisturizer). These patches are also very pretty, they make me feel like a mystical sea creature; think mermaid! My advice is make sure you are in fact using one, they are very thin and transparent and a few times i was actually applying more than one. With that being said there are A LOT of patches in the container.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 24, 2026
M
Verified Purchase
Marcella
West Palm Beach, US
★★★★★ 4
Good product.
Color: Caviar PDRN
Good Product.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 7, 2026
S
Verified Purchase
Sarah Pettingill
Carnegie, US
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 18, 2026
J
Verified Purchase
Jessica Martin
Dallas, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 4, 2026
Z
Verified Purchase
Zachary Bednar
Whiting, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 17, 2014

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